Edited by Lionel Gossman, this volume contains three programmatic essays by Michelet. The first two are available here for the first time in English translation. The third, the Preface to the 1869 edition of the Histoire de France, originally published in its first English translation by Edward K. Kaplan in his Michelet’s Poetic Vision (1977), has been revised by the translator for this volum…
“Van der Burg presents an innovative transregional study of Napoleonic governance in the often-overlooked northern periphery of the Empire. This book carefully examines the Empire’s administrative structure in the north, focusing on the heterogeneous community of prefects and subprefects as ‘tools of incorporation’, binding the regions to the central state. His rich comparative analysis…
While only one book-length memoir recounting the sojourn of an Australian in France was published in the 1990s, well over 40 have been published since 2000, overwhelmingly written by women. Although we might expect a focus on travel, intercultural adjustment and communication in these texts, this is the case only in a minority of accounts. More frequently, France serves as a backdrop to a proje…
A People's History of the Second World War unearths the fascinating history of the war as fought 'from below'. Until now, the vast majority of historical accounts have focussed on the conflict between the Allied and Axis powers for imperialist mastery. Donny Gluckstein shows that in fact between 1939 and 1945 two distinct wars were fought – one ‘from above’ and one ‘from below’. Using…
In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century.
[...] a volume clearly focused on the specific topic of literature within Bourdieu's work is certainly timely. Speller's volume aims not only to provide an account of Bourdieu's main theories and analyses of literature, but also has the polemical aim of refuting critics who suggest that Bourdieu's view of literature, grounded as it is in an analysis of the social relations of the cultural field…
Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time cir…