Theatre and war : notes from the field | Kementerian Pendidikan, Kebudayaan, Riset, dan Teknologi

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Theatre and war : notes from the field

Dinesh, Nandita - Personal Name;

"Nandita Dinesh places Kipling’s ""six honest serving-men"" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir.

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Series Title: -
Call Number: 809.293581 DIN t
Publisher: : Open Book Publishers., 2016
Collation: 210 p
Language: English
ISBN/ISSN: 9781783742585
Classification: 809.293581
Content Type: -
Media Type: -
Carrier Type: -
Edition: Edition 14
Subject(s): Theater and society
Theatre studies
Performing arts--Political aspects
Specific Detail Info: -
Statement of Responsibility: by Nandita Dinesh

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9781783742585
"Nandita Dinesh places Kipling’s ""six honest serving-men"" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir.
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